Monthly Archives: February 2014
Milky Way over Sky Rock, Volcanic Tablelands, Bishop, California. In spite of having made this image several years ago, I’ve never shared any images from that evening’s photographic efforts. I have made many visits to the Volcanic Tablelands, at all times of day, to explore the rocks, admire the vistas over the Owens River, and photograph one of the finest petroglyph panels in the world. In this composition, I waited for a specific date when the Milky Way could be effectively photographed above the petroglyphs with Mount Tom and the Sierra Nevada range aligned in the distance. It was a very cold evening, I wore all the clothes I had on hand, but after several hours of trying different compositions I managed several images I am very happy with. Sky Rock is a magical place at night, with ancient light emanating from stars many hundreds and thousands of light years away cascading down upon these special, old and impressive engravings. It is just the type of place I enjoy photographing at night, with no other people around, no photo workshop groups, no RVs, no automobile sounds — nothing. Solitude. I have also photographed these petroglyphs under a full moon as well as under pastel dawn skies, as well as a massive panorama of this location that I will be sharing soon. Cheers and thanks for looking!
Stars fill the night sky over the Tower of Babel, Arches National Park, Utah
The Tower of Babel is one of the most imposing and distinctive sandstone structures in Arches National Park. An enormous narrow freestanding wall or “fin” of Entrada sandstone, the Tower of Babel may, over the course of eons, erode into a arch. It is very near the main road through Arches National Park so few photographers who visit the park do not at least take a snapshot of this icon. I allocated a few hours one night trying to figure out how to photograph it against a sea of stars. It is such a tall and long expanse of sandstone that I was not even sure I wanted to try it, assuming there is no way I could effectively light paint the beast in the 30 seconds of exposure I was using. It took me some time but, after trying a number of different lighting angles and even resorting to mixing my own car’s headlights and those of another passing vehicle in some experimental images, I managed to produce this one image.